“Or we can make a scene!”, the woman suggests and with that says the only spoken line in the film. At the same time, the framework between desire and dilemma is set, for what kind of homesickness can that be when neither the location nor the hour is known? It might have something to do with communication, with others or with ourselves or with animals or at least with the air that surrounds us and which we so seldom notice. Or we sample the world (as if that were possible).